Canon has subsequently upped its game with the EOS 5D Mark III and the lessons it's learning from the development of its Cinema EOS line, but in general video is promoted much better than it's supported. This extends even to cameras such as the Canon 5D Mark II and Nikon D800, whose respective manufacturers are happy to promote video features despite the fact that support for actually using video is somewhat lacking. The technical capability is there, but even on cameras where a decent level of manual control is provided, tools such as focus peaking and zebra patterhsn that have been standard on dedicated video cameras for many years are often missing. It has subsequently become a critical feature for many users.įor the most part, however, modern DSLRs and mirroless cameras don't offer much support for their video features. Prior to the Canon EOS 5D Mark II, which demonstrated that you could get near-professional quality video from a stills camera, video seemed to be included on cameras primarily to satisfy a checkbox on the marketing spec sheet. Uncompressed 4:2:2 Full HD and 4K video output over HDMIĭSLRs capable of shooting HD video have existed for a little under six years.Extensive movie-focused capture options: S-Log2, Black Level, time code.Photographers more interested in stills may wish to note that most of these video features have subsequently been included in the newer a7 II, which also features revised ergonomics and in-body image stabilization. These include the low contrast S-Log2 tone curve that allows more of the camera's dynamic range to be fitted into its video files and the option to record time code. However, while the a7S's body exactly resembles its original 24 and 36MP sister models, the a7 and a7R (the a7 II's design is slightly different), it includes a whole raft of features and tools to support the videographer. This is the first of the company's cameras to use the format, which frees the camera from the bitrate restrictions of the AVCHD standard. The internal 1080p footage is recorded using the XAVC S format, a more consumer-friendly version of Sony's XAVC system. The first thing you need to know about the a7S is that it can record 1080p footage internally or be used to output 4K video to an external recorder. While the a7S is a capable still shooter, Sony has emphasized that its real focus (no pun intended) is videography. The a7S is the third model in Sony's full-frame mirrorless lineup, a 12MP camera that puts as much emphasis on its movie capture capabilities as its still image prowess.
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